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Western Movies: The Best Western Movies of All Time
Western movies in the 40s
In the 1940s, the western genre became one of the epic westerns John Ford or Howard Hawks dominates. Fords consistently with John Wayne occupied cavalry trilogy ("Until the last man", "The devil captain", "Rio Grande") drew an idealized picture of the army, but also enriched the genre with its classic basic constellations. Hawks made the controversial Billy-the-Kid-Western"Outlaw" Jane Russell the most popular pin-up girl of the wartime and with "Red River"the most visually exciting western of the era to date.
In their films, both directors combine the poetic myth of the Western with the bitter foreboding of the impending loss of the old values of the West. The subliminal melancholy of some of these films anticipated the main features of the late wests.
Western movies in the 50s
In the 50s, the wild west film developed to its full bloom. He showed heroes in crisis who deviated from old folkloric models, exemplified by Gary Cooper in Fred Zinnemanns "Twelve o'clock at noonThe classic, which received four Oscars, described the lonely fight of a sheriff against a gang of outlaws, while the "respectable" citizens cowardly hid behind his back.
"High noon"(Original title) was designed as an allegory of the struggle of the victims of the communist hunt instigated by Senator Joseph Mc-Carthy in the USA and was the first western to use the unity of space and time as a source of tension. The film was an overwhelming box-office success, although not all liked him. Howard Hawks found the character of the sheriff too passive and tearful. Therefore, six years later he made the anti "High Noon" Western "Rio Bravo", by doing John Wayne played a tough, assertive sheriff. "Twelve o'clock at noon"ushered in the era of the so-called Edelwestern. Films like Otto Premingers "River of no return", William Wylers "Broad land", John Fords "The black hawk", Marlon Brandos "The obsessed"or"The last train from Gun Hill" of John Sturges offered great star cinema, varied archetypal conflicts and reveled in opulent images.
Western movies in the 60s
But the genre was already beginning to decline in the early 1960s. Too many "big" westerns had been filmed, the prairie was practically grazed, it was becoming more difficult to wrest new innovative stories from the genre over and over again. As a result, there was an extreme drifting apart within the genre. On the one hand, films were made that piled up the old formulas and spiced them up with a high-gloss finish, such as the one by Japan's master director Akira Kurosawa inspired gunfighter epic "The glory seven"or John Waynes Pensioner wests "El Dorado".
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